William Trevor's Felicia's Journey:

Inherited Dissent or Fresh Departure from Tradition? 

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Aída Díaz-Bild

At Swim, Two Boys: In Search of the Nation of Freedom

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Anna Dyc

'Without contraries there is no progression': The Paradoxical Heterogeneity of Identity in Sinead O'Connor's Poetic Expression

ANDRZEJ GABINSKI

 Challenging History: Past Reconstruction in Colum McCann's Songdogs   

Silvia Geremia

A Contemporary Voice Revisits the Past: Seamus Heaney's Beowulf

Christophe Gillissen

'Her place among the nations of the earth':

Irish votes at the UN General Assembly, 1955-2005           

Dermot Kelly

James Joyce's Home Rule Comet, Elvis Costello's Anglo-Irish Agreement

Robert Lesman

Shams and Cover-ups: The Spectacle of History in Paul Muldoon's "Meeting the British" and "My Father and I and Billy Two Rivers"

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Cornelis Martin Renes

The Quiet Man and Angela's Ashes: Hollywood Representations

of Irish Emigration as Male Quest Narrative

Michal Matynia

Music, Symbol and Negativity in Eilis Ni Dhuibhne's

"The Pale Gold of Alaska"

Raita Merivirta-Chakrabarti

Between Irish National Cinema and Hollywood:

Neil Jordan's Michael Collins           

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Marta Miquel-Baldellou

Women in the Twilight and Identity in the Making:

The Concept of Transition in Eavan Boland's Poetry

Ute Anna Mittermaier

Impressions of a Reluctant Governess in Spain:

No More than Human by Maura Laverty

John L. Murphy

Making the Case for Irish through English:

Eco-critical Politics of Language by Learners      

Juan Ráez-Padilla

'And Somewhere the Dove Rose':

Seamus Heaney y su Fase Aérea en la Crítica Literaria

Stephanie Schwerter

Transgressing Boundaries:

Belfast and the 'Romance-Across-the-Divide'