<?xml version='1.0' encoding='UTF-8'?>
<records>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2006-03-15</publicationDate>
        <volume>1</volume>
    <issue>1</issue>
        <startPage>90</startPage>
    <endPage>102</endPage>
    <publisherRecordId>1464</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ El enigma de la feminidad: La música en “The Dead” de James Joyce y la adaptación cinematográfica de John Huston ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Gerardo Rodríguez-Salas ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Universidad de Granada, España ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-1-Rodriguez.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>James Joyce</keyword>
              <keyword>John Huston</keyword>
              <keyword>Cinema</keyword>
            </keywords>
      </record>
</records>