<?xml version='1.0' encoding='UTF-8'?>
<records>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2006-03-15</publicationDate>
        <volume>1</volume>
    <issue>1</issue>
        <startPage>58</startPage>
    <endPage>66</endPage>
    <publisherRecordId>1340</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ “Troubling” Thrillers: Between Politics and Popular Fiction in the novels of Benedict Kiely, Brian Moore and Colin Bateman ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Marisol Morales-Ladrón ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Alcalá de Henares, Spain ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Since the beginning of the Northern Ireland “Troubles”, interest in exploring the social and political concerns of a region affected by sectarian violence and religious bigotry has produced a significant body of literary works within which the thriller has become one of the most suitable forms of expression. The traditional action thriller has acquired in this context a rich political dimension, producing what is now widely known as the “Troubles” thriller. The development of this mode has diverged into two categories: the “Troubles-trash”; and a more “literary” form, which draws on serious political matters to reflect upon social and religious disputes. Both kinds, however, have been criticised for offering a stagnant and reductive version of the dynamics of the conflict; a judgement that should be qualified. Bearing this in mind, the purpose of the present article is to analyse the ways in which these issues are echoed in the literary productions of three well-known writers: Benedict Kiely, Brian Moore and Colin Bateman. The research carried out for the writing of this paper has been financed by the Spanish Ministry of Education (DGICYT, research project HUM2004-02413/FILO) and by the University of Alcalá (Vicerrectorado de Investigación, research project UAH PI2004/020).
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/MMorales.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Troubles</keyword>
              <keyword>Thriller</keyword>
              <keyword>Detective</keyword>
              <keyword>Northern Ireland politics</keyword>
              <keyword>Identity</keyword>
              <keyword>Benedict Kiely</keyword>
              <keyword>Brian Moore</keyword>
              <keyword>Colin Bateman</keyword>
            </keywords>
      </record>
</records>