<?xml version='1.0' encoding='UTF-8'?>
<records>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2009-03-15</publicationDate>
        <volume>4</volume>
    <issue>4</issue>
        <startPage>100</startPage>
    <endPage>102</endPage>
    <publisherRecordId>2904</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Crónica del Festival de Teatro de Dublín 2008 ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Rosana Herrero Martín ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Salamanca, Spain ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Last edition of the Dublin Theatre Festival (25 Sept. — 12 Oct. 2008) featured a solidly orchestrated programme, full of highlights and stage quality. It was notoriously articulated by a series of proposals, tendencies, or common denominators, which are analysed in this report.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/06/pdfDublinTheatreFestival.pdf</fullTextUrl>
    
      </record>
</records>