<?xml version='1.0' encoding='UTF-8'?>
<records>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2023-12-18</publicationDate>
        <volume>18.2</volume>
    <issue>18.2</issue>
        <startPage>119</startPage>
    <endPage>127</endPage>
    <publisherRecordId>12242</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Poems from  Into the Night that Flies So Fast  ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ MILENA WILLIAMSON ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Queen’s University Belfast, Northern Ireland ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ These poems form part of a sequence on the life of Bridget Cleary (1867-1895). Cleary was killed by her husband, who claimed at trial to be acting under the belief that his wife had been abducted by fairies and replaced with a changeling. A conversation with Joe Lines establishes the poems’ context and development.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2023/12/10_Milena_DEF.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Bridget Cleary</keyword>
              <keyword>changeling</keyword>
              <keyword>fairy</keyword>
              <keyword>murder</keyword>
              <keyword>witchcraft</keyword>
            </keywords>
      </record>
</records>