The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Prince
Thematic Transgressions and Formal Innovations in Edna O’Brien’s The Country Girls Trilogy and Epilogue
The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016
How to Strengthen Irish Studies throughout Europe? A Diagnosis Based on the German-Speaking Countries
The Embodied Subjectivity of a Half-Formed Narrator: Sexual Abuse, Language (Un)formation and Melancholic Girlhood in Eimear McBride’s A Girl is a Half-Formed Thing
When “She” Is Not Maud: An Esoteric Foundation and Subtext for Irish Folklore in the Works of W.B. Yeats
“Tá cuid de na mná blasta/Some Women Are Sweet Talkers”: Representations of Women in Seán Ó hEochaidh’s Field Diaries for the Irish Folklore Commission
“Stories Like the Light of Stars”: Folklore and Narrative Strategies in the Fiction of Éilís Ní Dhuibhne
The Political Embodiment of AIDS: Between Individual and Social Bodies in Colm Tóibín’s The Story of the Night and The Blackwater Lightship
Celtic Tiger Ireland and the Car as a Liminal Space: Movement and Paralysis in Gerard Donovan’s Country of the Grand
A Portrait of the Rebel as an Artist: Deconstructing Post-coloniality in Francis Stuart’s Black List, Section H
“The Familiar Style of Decaying Colonial Powers”: Irish National Newspapers and Portugal’s Colonial Wars, 1961-1974
Power, Gender and the Nation: Negotiations of Belonging in Evelyn Conlon’s Short Story “Park-Going Days”
El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literatura
Constructing Perceptions of Sexual Orientation: A Corpus-based Critical Discourse Analysis of Transitivity in the Irish Press
Administrative Expedience and the Avoidance of Scandal: Ireland’s Industrial and Reformatory Schools and the Inter-Departmental Committee of 1962-3
“A thrilling beauty”?: Violence, Transcendence and the Shankill Butchers in Eoin McNamee’s Resurrection Man
“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writers
Uchronian Scenarios in the Context of Irish Literature: The case of C. B. Gilford’s The Crooked Shamrock
‘Flirting with International Socialism’: Love, Politics and Intertextuality in the Poetry of Gerry Murphy
“Fremd bin ich eingezogen… ” − An Outsider’s Vision of Ireland in Urszula Antoniak’s Nothing Personal
Four-handed Chirping of Birds or, The Adventure of two Hungarian Translators with Flann O’Brien’s Book-web
“Through the Land of Nod and Wink”: Representations of Ireland in The Twelfth of Never by Ciaran Carson
Comparaciones (no odiosas) entre la (Royal) Irish Constabulary y la Guardia Civil Española en los relatos de viajeros de habla inglesa por la España de los siglos XIX y XX
Sexuality, Marriage and Women’s Life Narratives in Teresa Deevy’s: A Disciple (1931), The King of Spain’s Daughter (1935) and Katie Roche (1936)
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bones
Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contexts
From “Criminal Adventurer” to “the Most Important Irishman of Our Time”: the Irish Times and Eamon de Valera, 1916-1973
