Gendering Placement in Displacement: Transnational Im/mobility and the Refugee Camp in Emer Martin’s Baby Zeroestudios.irlandeses2021-03-16T17:15:09+02:00
From “dead saint” to “lyreless Orpheus”: Post-traumatic Narrativization of Myths and Fairy Tales in John Banville’s The Sea and Anne Enright’s The Gatheringestudios.irlandeses2021-03-16T22:18:07+02:00
Frances Power Cobbe on Brutes, Women, and the Irish (Human) Landscape: Ethics, Environment, and Imperialismestudios.irlandeses2020-10-31T12:58:02+02:00
El arte por el dolor: resemantización estética de la crueldad en “The Birthday of the Infanta” de Oscar Wildeestudios.irlandeses2020-03-16T14:30:54+02:00
Echo’s Bones and Samuel Beckett’s Early Aesthetics: “The Vulture”, “Alba” and “Dortmunder” as Poetic Manifestosestudios.irlandeses2020-03-17T14:15:22+02:00
“Teresa speaks to poets”: Mystical Experience, Apology and Literary Creation in Kate O’Brien’s Teresa of Ávilaestudios.irlandeses2020-03-16T14:31:50+02:00
Disrupting Colonial Views: Savvy Nabobs, Oriental Dreams. Colonial Appropriations in J.C. Mangan’s “An Extraordinary Adventure in the Shades” and “The Thirty Flasks”estudios.irlandeses2020-03-16T14:31:34+02:00
“Cannot an Irishman be a good man?”: Maria Edgeworth’s “The Limerick Gloves” (1804) as a Tale of Irish Identityestudios.irlandeses2020-03-16T14:31:29+02:00
