Maria Edgeworth’s The Double Disguise: Language Development, Experimentation, and the Importance of Juvenilia
In Search of a Symbol Adequate to the Predicament: Seamus Heaney’s Adaptation of Dante’s “Ugolino” as a Redress of Poetry
As British as Finchley? The Evolution of the Positions of the British Government and Irish Republicanism Regarding Sovereignty over Northern Ireland
It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners
El Conde de Morphy (1836-1899) en la Corte de los Borbones. Historia de una familia irlandesa en España (ss. XVIII-XIX)
The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Prince
Thematic Transgressions and Formal Innovations in Edna O’Brien’s The Country Girls Trilogy and Epilogue
The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
Propaganda, Literature and a Television Mini-Series: Representations of Roger Casement in Germany, 1916-2016
How to Strengthen Irish Studies throughout Europe? A Diagnosis Based on the German-Speaking Countries
The Embodied Subjectivity of a Half-Formed Narrator: Sexual Abuse, Language (Un)formation and Melancholic Girlhood in Eimear McBride’s A Girl is a Half-Formed Thing
When “She” Is Not Maud: An Esoteric Foundation and Subtext for Irish Folklore in the Works of W.B. Yeats
“Tá cuid de na mná blasta/Some Women Are Sweet Talkers”: Representations of Women in Seán Ó hEochaidh’s Field Diaries for the Irish Folklore Commission
“Stories Like the Light of Stars”: Folklore and Narrative Strategies in the Fiction of Éilís Ní Dhuibhne
The Political Embodiment of AIDS: Between Individual and Social Bodies in Colm Tóibín’s The Story of the Night and The Blackwater Lightship
Celtic Tiger Ireland and the Car as a Liminal Space: Movement and Paralysis in Gerard Donovan’s Country of the Grand
A Portrait of the Rebel as an Artist: Deconstructing Post-coloniality in Francis Stuart’s Black List, Section H
“The Familiar Style of Decaying Colonial Powers”: Irish National Newspapers and Portugal’s Colonial Wars, 1961-1974
Power, Gender and the Nation: Negotiations of Belonging in Evelyn Conlon’s Short Story “Park-Going Days”
El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literatura
Constructing Perceptions of Sexual Orientation: A Corpus-based Critical Discourse Analysis of Transitivity in the Irish Press
Administrative Expedience and the Avoidance of Scandal: Ireland’s Industrial and Reformatory Schools and the Inter-Departmental Committee of 1962-3
“A thrilling beauty”?: Violence, Transcendence and the Shankill Butchers in Eoin McNamee’s Resurrection Man
“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writers
Uchronian Scenarios in the Context of Irish Literature: The case of C. B. Gilford’s The Crooked Shamrock
‘Flirting with International Socialism’: Love, Politics and Intertextuality in the Poetry of Gerry Murphy
“Fremd bin ich eingezogen… ” − An Outsider’s Vision of Ireland in Urszula Antoniak’s Nothing Personal
Four-handed Chirping of Birds or, The Adventure of two Hungarian Translators with Flann O’Brien’s Book-web
“Through the Land of Nod and Wink”: Representations of Ireland in The Twelfth of Never by Ciaran Carson
