Gendering Placement in Displacement: Transnational Im/mobility and the Refugee Camp in Emer Martin’s Baby Zeroestudios.irlandeses2021-03-16T17:15:09+02:00
From “dead saint” to “lyreless Orpheus”: Post-traumatic Narrativization of Myths and Fairy Tales in John Banville’s The Sea and Anne Enright’s The Gatheringestudios.irlandeses2021-03-16T22:18:07+02:00
Frances Power Cobbe on Brutes, Women, and the Irish (Human) Landscape: Ethics, Environment, and Imperialismestudios.irlandeses2020-10-31T12:58:02+02:00
El arte por el dolor: resemantización estética de la crueldad en “The Birthday of the Infanta” de Oscar Wildeestudios.irlandeses2020-03-16T14:30:54+02:00
Echo’s Bones and Samuel Beckett’s Early Aesthetics: “The Vulture”, “Alba” and “Dortmunder” as Poetic Manifestosestudios.irlandeses2020-03-17T14:15:22+02:00
“Teresa speaks to poets”: Mystical Experience, Apology and Literary Creation in Kate O’Brien’s Teresa of Ávilaestudios.irlandeses2020-03-16T14:31:50+02:00
Disrupting Colonial Views: Savvy Nabobs, Oriental Dreams. Colonial Appropriations in J.C. Mangan’s “An Extraordinary Adventure in the Shades” and “The Thirty Flasks”estudios.irlandeses2020-03-16T14:31:34+02:00
“Cannot an Irishman be a good man?”: Maria Edgeworth’s “The Limerick Gloves” (1804) as a Tale of Irish Identityestudios.irlandeses2020-03-16T14:31:29+02:00
Maria Edgeworth’s The Double Disguise: Language Development, Experimentation, and the Importance of Juveniliaestudios.irlandeses2019-03-16T13:33:00+02:00
In Search of a Symbol Adequate to the Predicament: Seamus Heaney’s Adaptation of Dante’s “Ugolino” as a Redress of Poetryestudios.irlandeses2019-03-16T13:33:18+02:00
As British as Finchley? The Evolution of the Positions of the British Government and Irish Republicanism Regarding Sovereignty over Northern Irelandestudios.irlandeses2019-03-16T13:33:23+02:00
It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisonersestudios.irlandeses2019-03-16T13:33:46+02:00
El Conde de Morphy (1836-1899) en la Corte de los Borbones. Historia de una familia irlandesa en España (ss. XVIII-XIX)estudios.irlandeses2019-03-18T11:24:33+02:00
The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Lightestudios.irlandeses2018-10-30T10:55:17+02:00
