Issue 18 – Estudios Irlandeses

IRISH FILM AND TELEVISION – 2022

estudios.irlandeses2023-03-16T19:18:16+02:00

IRISH FILM AND TELEVISION – 2022estudios.irlandeses2023-03-16T19:18:16+02:00

“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogy

estudios.irlandeses2023-03-16T19:18:22+02:00

“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogyestudios.irlandeses2023-03-16T19:18:22+02:00

“Ulysses 1922-2022: Creative Reinventions”

estudios.irlandeses2023-03-16T19:18:27+02:00

“Ulysses 1922-2022: Creative Reinventions”estudios.irlandeses2023-03-16T19:18:27+02:00

IRISH STUDIES IN SPAIN-2022

estudios.irlandeses2023-03-16T19:18:33+02:00

IRISH STUDIES IN SPAIN-2022estudios.irlandeses2023-03-16T19:18:33+02:00

Estrangement and the Ethics of Attention in Emma Donoghue’s The Wonder

estudios.irlandeses2023-03-16T19:18:42+02:00

Estrangement and the Ethics of Attention in Emma Donoghue’s The Wonderestudios.irlandeses2023-03-16T19:18:42+02:00

“The World in Terms of Mirror Imaging”: An Interview with Mary O’Donnell

estudios.irlandeses2023-03-17T12:13:53+02:00

“The World in Terms of Mirror Imaging”: An Interview with Mary O’Donnellestudios.irlandeses2023-03-17T12:13:53+02:00

IRISH STUDIES PUBLICATIONS AROUND THE WORLD -2022

estudios.irlandeses2023-03-16T19:18:52+02:00

IRISH STUDIES PUBLICATIONS AROUND THE WORLD -2022estudios.irlandeses2023-03-16T19:18:52+02:00

IRISH FILM AND MEDIA STUDIES PUBLICATIONS 2022

estudios.irlandeses2023-03-16T19:18:57+02:00

IRISH FILM AND MEDIA STUDIES PUBLICATIONS 2022estudios.irlandeses2023-03-16T19:18:57+02:00

“You’re like a vegetarian in leather shoes”: Cognitive Disconnect and Ecogrief in Stacey Gregg’s Override

estudios.irlandeses2023-03-17T12:08:39+02:00

“You’re like a vegetarian in leather shoes”: Cognitive Disconnect and Ecogrief in Stacey Gregg’s Overrideestudios.irlandeses2023-03-17T12:08:39+02:00

“Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome”

estudios.irlandeses2023-03-16T19:19:10+02:00

“Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome”estudios.irlandeses2023-03-16T19:19:10+02:00

Derek Mahon’s Anti-capitalist Ecologies

estudios.irlandeses2023-03-16T19:19:15+02:00

Derek Mahon’s Anti-capitalist Ecologiesestudios.irlandeses2023-03-16T19:19:15+02:00

The Economy of Murder: Capital, Crime, and Crisis in Peter Murphy’s and Rachael Moriarty’s Traders (2015)

estudios.irlandeses2023-03-17T12:09:37+02:00

The Economy of Murder: Capital, Crime, and Crisis in Peter Murphy’s and Rachael Moriarty’s Traders (2015)estudios.irlandeses2023-03-17T12:09:37+02:00

A Multimodal Critical Discourse Analysis of a Sample of Posters Used in the 2016 and 2020 Election Campaigns in Ireland

estudios.irlandeses2023-03-16T19:19:25+02:00

A Multimodal Critical Discourse Analysis of a Sample of Posters Used in the 2016 and 2020 Election Campaigns in Irelandestudios.irlandeses2023-03-16T19:19:25+02:00

The Continuum of Irish Female Sexuality in Sally Rooney’s Conversations with Friends and Normal People: A Contradicted Ireland

estudios.irlandeses2023-03-16T19:19:30+02:00

The Continuum of Irish Female Sexuality in Sally Rooney’s Conversations with Friends and Normal People: A Contradicted Irelandestudios.irlandeses2023-03-16T19:19:30+02:00