Poetry as a “Humane Enterprise”: Interview with Eavan Boland on the Occasion of the 50th Anniversary of her Literary Careerestudios.irlandeses2022-02-16T13:25:05+02:00
Comparaciones (no odiosas) entre la (Royal) Irish Constabulary y la Guardia Civil Española en los relatos de viajeros de habla inglesa por la España de los siglos XIX y XXestudios.irlandeses2022-02-16T13:51:45+02:00
Sexuality, Marriage and Women’s Life Narratives in Teresa Deevy’s: A Disciple (1931), The King of Spain’s Daughter (1935) and Katie Roche (1936)estudios.irlandeses2022-02-16T13:50:36+02:00
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bonesestudios.irlandeses2018-01-29T22:10:12+02:00
Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contextsestudios.irlandeses2018-01-29T22:10:13+02:00
