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Special Issue 13.2 Gender Issues in Contemporary Irish Literature (2018)
Introduction: Gender Issues in Contemporary Irish Literature
Melania Terrazas Gallego
University of La Rioja, Spain
Pages: 1-5
DOI 10.24162/EI2018-8599
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Articles
Groping towards Morality: Feminism, AIDS, and the Spectre of Article 41 in Thomas Kilroy’s Ghosts
José Lanters
University of Wisconsin-Milwaukee, USA
Pages: 6-18
DOI 10.24162/EI2018-8596
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“Informed Love”: Human and Non-Human Bodies in Tim Robinson’s Ethical Aesthetic
Maureen O’Connor
University College Cork, Ireland
Pages: 19-29
DOI 10.24162/EI2018-8593
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The “Woman” as a Frame for the Self: Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
Mehdi Ghassemi
University of Lille
Pages: 30-43
DOI 10.24162/EI2018-8602
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The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse
Mar Asensio Aróstegui
University of La Rioja
Pages: 44-59
DOI 10.24162/EI2018-8611
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Representations of Masculinities in John Michael McDonagh’s Satirical Film Text The Guard
José Díaz-Cuesta
University of La Rioja
Pages: 60-76
DOI 10.24162/EI2018-8618
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Thematic Transgressions and Formal Innovations in Edna O’Brien’s The Country Girls Trilogy and Epilogue
María Amor Barros-del Río
University of Burgos, Spain
Pages: 77-89
DOI 10.24162/EI2018-8623
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The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Prince
Alicia Muro Llorente
University of La Rioja
Pages: 90-102
DOI 10.24162/EI2018-8629
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Translating Characters: Eliza Doolittle “Rendered” into Spanish
Edurne Goñi Alsúa
Public University of Navarre (UPNA)
Pages: 103-119
DOI 10.24162/EI2018-8634
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Beauty Magazines’ Discourse in the Dystopian World of Louise O’Neill’s Only Ever Yours
Ekaterina Muraveva
University of Alcalá
Pages: 120-137
DOI 10.24162/EI2018-8639
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Male Trouble – Writing about Men in Feminist Times
Rob Doyle
Writer
Pages: 138-140
DOI 10.24162/EI2018-8644
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