Issue 15 (2020) | Contents
Articles
Understanding and Mis-understanding in Language in Brian O’Nolan’s An Béal Bocht and Cruiskeen Lawn
Comprensión e incomprensión en el lenguaje en An Béal Bocht y Cruiskeen Lawn, de Brian O’Nolan.
Julieta Abella
Universidad de Buenos Aires, Argentina
Pages: 1-12
https://doi.org/10.24162/EI2020-9290
“Portals of Discovery”: Historical Allusions in Joyce’s Portrait
“Portales de descubrimiento”: Alusiones históricas en Portrait, de James Joyce.
María-Ángeles Conde-Parrilla
Universidad Pablo de Olavide, Spain
Pages: 13-25
https://doi.org/10.24162/EI2020-9296
“Cannot an Irishman be a good man?”: Maria Edgeworth’s “The Limerick Gloves” (1804) as a Tale of Irish Identity
“¿Es que no puede un irlandés ser un buen hombre?” “The Limerick Gloves” (1804) de Maria Edgeworth como relato sobre la identidad irlandesa.
Carmen María Fernández-Rodríguez
EOI A Coruña, Spain
Pages: 26-38
https://doi.org/10.24162/EI2020-9304
Disrupting Colonial Views: Savvy Nabobs, Oriental Dreams. Colonial Appropriations in J.C. Mangan’s “An Extraordinary Adventure in the Shades” and “The Thirty Flasks”
Distorsionando visiones coloniales: Nababs espabilados, sueños orientales. Apropiaciones coloniales en “An Extraordinary Adventure in the Shades” y “The Thirty Flasks”, de J.C. Mangan.
Richard Jorge Fernández
European University of the Atlantic, Spain
Pages: 39-50
https://doi.org/10.24162/EI2020-9310
Staging the Outcast in Brendan Behan’s Three Prison Dramas
Subiendo a escena a los marginados en tres obras de teatro sobre prisión de Brendan Behan.
Wei H. Kao
National Taiwan University, Taiwan
Pages: 51-61
https://doi.org/10.24162/EI2020-9316
The “Production” of “Reflection”: Adolescent Choices in John McGahern’s The Dark
La “producción” de “reflexión”: elecciones adolescentes en The Dark, de John McGahern.
Martin Keaveney
National University of Ireland, Galway
Pages: 62-72
https://doi.org/10.24162/EI2020-9351
Heaney and American Poetry: The California Narrative
Heaney y la poesía americana: La narración de California.
Christopher Laverty
Queen's University Belfast, Northern Ireland
Pages: 73-86
https://doi.org/10.24162/EI2020-9323
“Teresa speaks to poets”: Mystical Experience, Apology and Literary Creation in Kate O’Brien’s Teresa of Ávila
“Teresa habla a los poetas”: Experiencia mística, apología y creación literaria en Teresa of Ávila, de Kate O’Brien.
Pilar Somacarera-Íñigo
Universidad Autónoma de Madrid, Spain
Pages: 87-100
https://doi.org/10.24162/EI2020-9329
Place-lore in the Mélusine Narrative from Irish Tradition
Sabiduría tradicional sobre lugares en las narraciones sobre Melusina dentro de la tradición irlandesa.
Tiziana Soverino
Crumlin College of Further Education, Ireland
Pages: 101-115
https://doi.org/10.24162/EI2020-9335
Echo’s Bones and Samuel Beckett’s Early Aesthetics: “The Vulture”, “Alba” and “Dortmunder” as Poetic Manifestos
Echo’s Bones y la estética inicial de Samuel Beckett: “The Vulture”, “Alba” y “Dortmunder” como manifiestos poéticos.
Sławomir Studniarz
University of Warmia and Mazury in Olsztyn, Poland
Pages: 116-129
https://doi.org/10.24162/EI2020-9357
El arte por el dolor: resemantización estética de la crueldad en “The Birthday of the Infanta” de Oscar Wilde
Art for Grief’s Sake: Aesthetic Resignifying of Cruelty in Oscar Wilde’s “The Birthday of the Infanta”.
Eduardo Valls Oyarzun
Complutense University of Madrid, Spain
Pages: 130-142
https://doi.org/10.24162/EI2020-9365
“A Pint of Plain is Your Only Man”: Masculinities and the Pub in Twentieth Century Irish Fiction
“Una pinta de cerveza es tu único amigo”: Masculinidades y pubs en la ficción irlandesa del siglo XX.
Loic Wright
University College Dublin, Ireland
Pages: 143-155
https://doi.org/10.24162/EI2020-9371
Interview
“Stretching the Imagination into another World”: An Interview with Eibhear Walshe
“Estirando la imaginación hasta otro mundo”: Una entrevista con Eibhear Walshe.
Pilar Villar-Argáiz
University of Granada, Spain
Pages: 156-162
https://doi.org/10.24162/EI2020-9386
“Folklore seeks out the things that are not permitted in official discourse”. An Interview with Lillis Ó Laoire
“El folclore saca a la luz aquello que no está permitido en el discurso oficial”: Una entrevista con Lillis Ó Laoire.
José Francisco Fernández
University of Almería, Spain
Pages: 163-174
https://doi.org/10.24162/EI2020-9393
Think Piece
Are my Stars from Ireland? Reflections on an Irish-American Experience
¿Vienen de Irlanda mis estrellas? Reflexiones sobre una experiencia americanoirlandesa
Michael Coffey
Independent scholar, writer
Pages: 175-177
https://doi.org/10.24162/EI2020-9400
Translation
Introductory Essay. “Resisting Power and Direction”: The King of Spain’s Daughter by Teresa Deevy as a Feminist Call to Action
“Resistiéndose al poder y a la dirección”: La hija del rey de España, de Teresa Deevy, como una llamada feminista a la acción”.
Úna Kealy
Waterford Institute of Technology, Ireland
Pages: 178-192
https://doi.org/10.24162/EI2020-9406
Translation of The King of Spain’s Daughter (1935), by Teresa Deevy
Traducción de La hija del rey de España (1935), de Teresa Deevy.
Andrés Romera
Waterford Institute of Technology, Ireland
Pages: 193-221
https://doi.org/10.24162/EI2020-9413
The Year in Review
IRISH STUDIES IN SPAIN – 2019
Los estudios irlandeses en España en 2019
María Losada-Friend
University Pablo de Olavide, Spain
Pages: 222-241
https://doi.org/10.24162/EI2020-9426
IRISH STUDIES ROUND THE WORLD – 2019
Los estudios irlandeses alrededor del mundo – 2019
Christina Hunt Mahony
Trinity College Dublin, Ireland
Pages: 242-276
https://doi.org/10.24162/EI2020-9477
IRISH FILM AND MEDIA STUDIES PUBLICATIONS
Publicaciones sobre cine y medios de comunicación en Irlanda – 2019
Ciara Chambers
University College Cork, Ireland
Pages: 277-295
https://doi.org/10.24162/EI2020-9527
IRISH FILM AND TELEVISION – 2019
Cine y televisión irlandeses – 2019
Roddy Flynn | Tony Tracy
School of Communications, Dublin City University, Ireland | NUI Galway, Ireland
Pages: 296-329
https://doi.org/10.24162/EI2020-9568