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<records>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>1</startPage>
    <endPage>7</endPage>
    <publisherRecordId>1951</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Michael Longley’s Poetry of the Elements in Snow Water ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Elisabeth Delattre ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Centre for Irish Studies, University of Lille3, France ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Nature has always played a major part in Michael Longley’s poetry, for ecological reasons but also because of the feeling of empathy involved, as Snow Water published in 2004 testifies. This analysis will rely essentially on Gaston Bachelard’s phenomenological approach which deals with the way human reverie on matter governs poetic writing as the sensitory experience of the world.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/Elisabeth_Delattre.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Poetry</keyword>
              <keyword>Nature</keyword>
              <keyword>Elements</keyword>
              <keyword>Symbols</keyword>
              <keyword>Imagination</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>8</startPage>
    <endPage>20</endPage>
    <publisherRecordId>1997</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Ireland and Spain 1931-1933.  Divergent Republics ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Alvaro Jaspe ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[  University of Ulster, Northern Ireland ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ This paper will examine the development of the fledgling diplomatic ties between the new Irish state and the recently established Spanish legation based in Dublin.  It will analyse the formal establishment of political, cultural and social links developed in contemporary times between the two old historical allies that had previously been limited to polite lip-service; conditioned, in part, as they were by  monarchical Madrid’s caution in regard to London and previous Spanish reluctance to engage with a rebellious state.  1931 signified a volte face in the relationship developing between Dublin and Madrid since the establishment of a Spanish consulate in Dublin in March 1924, facilitated by their commitment to the League of Nations, to which both were strongly committed in the 1920s.  This paper will illustrate how the declaration of the II Republic in Spain was a crossroads in the relationship between these two nations.  The roles of ‘rebel’ and ‘traditionalist’ state had been instantly switched.  The Church and much of the new political elite in Ireland viewed republican reforms in Spain with ever growing and public distaste creating conflict among Irish republicanism, post-independence.  The main Spanish republican representative in Ireland in this 1931-33 period, Emilio Sanz y Tovar, became very sensitive to these schisms as he tried to cement political and socio-economic ties with his Irish hosts.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/Alvaro_Jaspe.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Ireland</keyword>
              <keyword>Spain</keyword>
              <keyword>Second Republic</keyword>
              <keyword>Republicanism</keyword>
              <keyword>Diplomacy</keyword>
              <keyword>Emilio Sanz y Tovar</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>21</startPage>
    <endPage>38</endPage>
    <publisherRecordId>2001</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Responses to the Holocaust in Modern Irish Poetry ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Benjamin Keatinge ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ South East European University, Macedonia ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ This essay examines twentieth and twenty-first century responses by Irish poets to the Holocaust. It argues that, despite the illiberal tendencies of the Irish state towards Jewish immigration during and after the 1939-1945 war, recent commemorative activities in Ireland have included the Holocaust and are part of a wider commemorative ‘opening up’ in Ireland towards twentieth-century historical events. Important contemporary Irish poets have written Holocaust poems of notable merit including: Seamus Heaney, Harry Clifton, Derek Mahon, Pearse Hutchinson, Paul Durcan, Paul Muldoon, Thomas Kinsella and Tom Paulin, all of whom are discussed here. These poets are noted as second-generation Holocaust poets, more at home in the lyric form and less troubled by communicative dilemmas than their precursors such as Paul Celan and Samuel Beckett whose resemblance is briefly discussed. The essay concludes by arguing that Giorgio Agamben’s arguments about testimony after Auschwitz are strikingly pertinent to some of the poems under discussion. It also suggests that the historical essays of Hubert Butler may have acted as an unseen influence on some of these writers.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/Benjamin_Keatinge.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Holocaust</keyword>
              <keyword>Ireland</keyword>
              <keyword>Poetry</keyword>
              <keyword>Commemoration</keyword>
              <keyword>Memory</keyword>
              <keyword>Testimony</keyword>
              <keyword>History</keyword>
              <keyword>Language</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>39</startPage>
    <endPage>53</endPage>
    <publisherRecordId>2052</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ William Fletcher Barrett, Spiritualism, and Psychical Research in Edwardian Dublin ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Shane McCorristine ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Government of Ireland CARA Postdoctoral Mobility Fellow, NUI Maynooth, Ireland ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Although primarily known today as a physicist and founder member of the Society for Psychical Research (SPR), William Fletcher Barrett (1844-1925) was an important figure in social and scientific circles in late Victorian and Edwardian Ireland. From the 1870s onwards, when he became Professor of Experimental Physics at the Royal College of Science for Ireland, Barrett created an interest in psychical research among prominent members of the social and cultural elite in Dublin. This article reconstructs the history and membership of the little-known Dublin Section of the SPR (1908-c.1914), in which Barrett was the leading personality, and sketches out some conclusions which can be drawn from the make-up of this forgotten group.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-6-McCorristine.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>William Fletcher Barrett</keyword>
              <keyword>Psychical research</keyword>
              <keyword>W.B. Yeats</keyword>
              <keyword>Spiritualism</keyword>
              <keyword>Dublin society</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>54</startPage>
    <endPage>69</endPage>
    <publisherRecordId>2015</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Ecocriticism and Irish Poetry A Preliminary Outline ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ James Mc Elroy ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ The University of California, Davis, USA ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ This article offers a brief thumbnail sketch of how Irish poetry has situated “nature” inside its competing narrative forms. Beginning with Irish poetry’s earliest lyrics and concluding with some of Ireland’s most recent, and most experimental, writers, the goal of the piece is to introduce some rudimentary eco-critical theory as a means of better understanding how nature acts as a complex cultural and political semiotic, so often overlooked, in Irish literature. En route, the article examines and in part deconstructs those critical categories that have often divided Irish literature into two distinct ecological camps: the picturesque (read colonialist/tourist) and the oral (read native/indigenous). The article also considers the importance of ecofeminist theory and asks how critics might better read Ireland’s women poets as nature poets in their own right. In closing, the piece turns its attention to a number of recent poets, both men and women, who have exceeded the picturesque/oral divide and now require eco-alternative readings of nature as we enter the second decade of the 21st Century.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/James_-McElroy.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Nature</keyword>
              <keyword>Ecocriticism</keyword>
              <keyword>Picturesque</keyword>
              <keyword>Oral</keyword>
              <keyword>Ecofeminism</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>70</startPage>
    <endPage>82</endPage>
    <publisherRecordId>2020</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ From “Criminal Adventurer” to “the Most Important Irishman of Our Time”: the Irish Times and Eamon de Valera, 1916-1973 ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Jean Mercereau ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Instituto Politécnico de Leiria, Universidade do Minho, Portugal ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Founded in 1859 as the voice of the Protestant and Unionist Ascendancy of Dublin, the Irish Times has become, at the beginning of the twenty-first century, the country’s most respected daily newspaper. As such, it has been a privileged observer of Eamon de Valera’s extraordinarily long career based on his vision of a Gaelic, rural, Catholic and independent Ireland. Because of the essential divergence in their ideals concerning the Irish nation, theIrish Times and de Valera can hardly be expected to have shared many affinities. Over the years, however, an analysis of the reactions and opinions expressed by the newspaper in its editorials reveals an evolution in its perception of the nationalist leader. After firmly denouncing de Valera’s part in the Civil War and his attitude towards the Anglo-Irish Treaty, the Irish Times’ perception of de Valera changed progressively once the leader was in power, particularly from the early 1950s onwards, as a result of De Valera’s attitude, combined with the newspaper’s own evolution, the changes taking place in the country and a feeling of disappointment with the pro-Treaty parties.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-6-Mercereau.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Eamon de Valera</keyword>
              <keyword>Nationalism</keyword>
              <keyword>Unionism</keyword>
              <keyword>Irish newspapers</keyword>
              <keyword>The Irish Times</keyword>
              <keyword>Fianna Fáil</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>83</startPage>
    <endPage>90</endPage>
    <publisherRecordId>2048</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Resolución Varonil or the manly resolve of Countess Mary Stuart O’Donnell ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Marie Gleeson Ó Tuathaigh ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Ireland ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ RESOLUCION VARONIL O VIAGE Que hiço en trage de Varon la Condesa de Tirconel by Alberto Enriquez, was published in Brussels in 1627. Written in Spanish, it gives an account of the adventures of Lady Mary Stuart (daughter of Rory Rory O’Donnell Earl of Tyrconnell, one of the most lamented earls who had left Ireland and gone into exile in 1607) and her dramatic flight, dressed as a man, from the court of Charles I, in London, in 1626. A close look at the account gives an insight into the world of patronage, preferment, suspicion and lobbying in which the immediate descendants of the Irish earls had to survive. In an era when women are rarely mentioned in contemporary historic accounts, except in relation to the importance of their father or husband, it is exceptional to have a first hand, amusing and quite unique account of the actions and feelings of this ‘mujer varonil’ who introduced herself in a peripheral, but fascinating way upon an otherwise all male stage. Finally, when considered in the context of contradictory contemporary witness reactions to this true story, we have to consider the possibility of quite a different rationale from that declared by Alberto Enriquez, for the publication of this very unusual account.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-6-Gleeson.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Historic dramatic account</keyword>
              <keyword>Crossdressing</keyword>
              <keyword>Irish noble woman</keyword>
              <keyword>Exile</keyword>
              <keyword>Lady Mary Stuart</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>91</startPage>
    <endPage>102</endPage>
    <publisherRecordId>2026</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Sado-Masochism in Clare Boylan’s Home Rule and Holy Pictures ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Jeanette Roberts Shumaker ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ San Diego State University, Imperial Valley, USA ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ In Holy Pictures  (1983) and Home Rule  (1993), Clare Boylan deconstructs the family dynamics of urban Ireland a century earlier, portraying mothers who contradict the Irish ideal of maternal selflessness. Boylan critiques the Irish family structure of the late 1800s and early 1900s by showing how it can pressure mothers to become sadists. In addition, Boylan complicates the stereotypical heterosexual romance by portraying cruel wives. This essay draws upon Freud, Julia Kristeva, Michelle Masse and other theorists to illuminate the sado-masochistic dynamics in Boylan’s novels.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-6-Roberts.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Feminism</keyword>
              <keyword>sado-masochism</keyword>
              <keyword>Boylan</keyword>
              <keyword>motherhood</keyword>
              <keyword>Freud</keyword>
              <keyword>Kristeva</keyword>
              <keyword>Masse</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>103</startPage>
    <endPage>111</endPage>
    <publisherRecordId>2219</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ The Teatro Guindalera Project. An Interview with Juan Pastor Millet Fernandez ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Mª-Yolanda Fernández-Suárez ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Burgos ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Juan Pastor Millet was born in Alicante in 1943. He has a degree in Drama and did his training with William Layton and Arnold Taraborrelli in Laboratorio T.E.I. Till 1980 he worked as a theatre, cinema and TV actor. As an independent director he has produced plays by both Spanish and foreign contemporary authors, and also by classic ones like Calderón de la Barca, Shakespeare, Cervantes, Molière, Ibsen, Strindberg and Brecht. From 1987 till 2006 he combined his job as a director with his job as a Drama teacher at RESAD (Real Escuela Superior de Arte Dramático). In November 2003 he opened his own Studio and Theatre House in Madrid – Guindalera. From then on he devotes all his time to the family project Guindalera Escena Abierta  together with his wife Teresa Valentín-Gamazo and their daughter, the actress María Pastor. In 2009 while they were celebrating Brian Friel’s 80th anniversary staging three of his plays – El Juego de Yalta, Molly Sweeney and Bailando en Lughnasa – they were awarded the prestigious “Premio Ojo Crítico de Teatro” for their commitment to new authors and their pedagogical character.

 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/Ei-6-Interview-Fernandez-Suarez.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Brian Friel</keyword>
              <keyword>Juan Pastor</keyword>
              <keyword>Molly Sweeney</keyword>
              <keyword>Theatre</keyword>
              <keyword>Guindalera</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>112</startPage>
    <endPage>124</endPage>
    <publisherRecordId>2229</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ “Under the Skin of the Story”: An Interview with Lia Mills ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Luz Mar González-Arias ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Universidad de Oviedo, España ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ Lia Mills is an Irish novelist, short-story writer and essayist born in Dublin. She has lived in London and in the USA, but in 1990 returned to her native city to stay and pursue a writing life. Her debut novel, Another Alice (Poolbeg, 1996), was an immediate success. Nominated for The Irish Timesliterary award, it develops, as Gerry Smyth has pointed out, “central concerns” of Irish fiction, such as “the family, madness, dreams, gender and nation – pulling them together into an ultimately enabling vision of the role of women in modern Ireland” (Smyth 1997: 93). Her diasporic experience somehow impinges on her second novel, Nothing Simple (Penguin Ireland, 2005), about the difficulties encountered by an Irish family on their arrival in North America and which was shortlisted for the “Irish Novel of the Year” at the inaugural Irish Book Awards. In 2006 Lia Mills was diagnosed with oral cancer. Her experiences during the treatment of this threatening illness are collected in her memoir, In Your Face (Penguin Ireland, 2007), critically acclaimed and described by Anne Enright as a life-changing book.
Lia Mills is currently working on a historical novel and has published numerous short-stories and essays in literary journals like The Stinging Fly and The Dublin Review. She has lectured in University College Dublin and often facilitates creative writing workshops. Lia Mills’ varied literary production is a good example of the strength and energies of modern Irish fiction.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/LuzMGonzalez_Arias.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Lia Mills</keyword>
              <keyword>Irish fiction</keyword>
              <keyword>Exile</keyword>
              <keyword>Immigration</keyword>
              <keyword>Sexual abuse</keyword>
              <keyword>Illness</keyword>
              <keyword>Memoir</keyword>
              <keyword>Creative processes</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>125</startPage>
    <endPage>131</endPage>
    <publisherRecordId>2011</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ The Culture Shock of St Patrick ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Edward Dutton ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Oulu University, Finland ]]></affiliationName>
        </affiliationsList>

        <abstract language="eng"><![CDATA[ This article will shed new light on the Confession of St Patrick by examining it through the prism of the culture shock model. It will argue that the stages of the saint’s conversion broadly follow the stages of culture shock and that some modern examples of culture shock are very similar to religious conversion experience. It will contextualise these observations into the thesis that ‘religion’ and ‘culture’ are only clearly distinguished in Western or post-Enlightenment societies, that ‘culture’ has come to replace God in many modern societies and that a strong divide between the two concepts is not philosophically sustainable. Accordingly, it will apply the modern model of ‘culture shock’ to Patrick’s experience, arguing that it exemplifies this model.
 ]]></abstract>
    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2022/02/EI-6-Dutton.pdf</fullTextUrl>
    
          <keywords language="eng">
              <keyword>Culture Shock</keyword>
              <keyword>Conversion Experience</keyword>
              <keyword>St Patrick</keyword>
              <keyword>Kalervo Oberg</keyword>
              <keyword>Religion</keyword>
            </keywords>
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>132</startPage>
    <endPage>133</endPage>
    <publisherRecordId>3979</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Reseña de teatro ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Rosana Herrero Martín ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Salamanca, Spain ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/10/Rosana_Herrero.pdf</fullTextUrl>
    
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>134</startPage>
    <endPage>139</endPage>
    <publisherRecordId>3970</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Reseñas de textos de cine ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Carlos Menéndez-Otero ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ Universidad de Oviedo, España ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf"></fullTextUrl>
    
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>140</startPage>
    <endPage>155</endPage>
    <publisherRecordId>2057</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Irish Studies in Spain – 2010 ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Inés Praga-Terente ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Burgos, Spain ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/IStudiesinSpain6.pdf</fullTextUrl>
    
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>156</startPage>
    <endPage>189</endPage>
    <publisherRecordId>2233</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Irish Studies Round the World – 2010 ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Patricia A. Lynch ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ University of Limerick, Ireland ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/IStudiesRoundtheWorld6_byP_Lynch.pdf</fullTextUrl>
    
      </record>
<record>
    <language>eng</language>
        <publisher>Journal of Irish Studies</publisher>
        <journalTitle>Estudios Irlandeses</journalTitle>
        <eissn>1699-311X</eissn>
            <publicationDate>2011-03-15</publicationDate>
        <volume>6</volume>
    <issue>6</issue>
        <startPage>191</startPage>
    <endPage>224</endPage>
    <publisherRecordId>2119</publisherRecordId>
    <documentType>article</documentType>
    <title language="eng"><![CDATA[ Irish Film and Television – 2010 ]]></title>

    <authors>
     
      <author>
        <name><![CDATA[ Tony Tracy ]]></name>
        <affiliationId>1</affiliationId>
      </author>
        </authors>

    <affiliationsList>
       
      <affiliationName affiliationId="1"><![CDATA[ NUI Galway, Ireland ]]></affiliationName>
        </affiliationsList>

    
    <fullTextUrl format="pdf">https://www.estudiosirlandeses.org/wp-content/uploads/2013/05/TheYearinIrishFilmandTV2010.pdf</fullTextUrl>
    
      </record>
</records>