“Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome” estudios.irlandeses2023-03-16T19:19:10+02:00 “Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome”estudios.irlandeses2023-03-16T19:19:10+02:00
They «smelt of rot»: Abjection and Infection in Seamus Heaney’s Early Work estudios.irlandeses2023-03-16T19:19:38+02:00 They «smelt of rot»: Abjection and Infection in Seamus Heaney’s Early Workestudios.irlandeses2023-03-16T19:19:38+02:00
The Interstitial Status of Irish Gayness in Colm Tóibín’s The Blackwater Lightship and The Master estudios.irlandeses2018-01-29T22:09:47+02:00 The Interstitial Status of Irish Gayness in Colm Tóibín’s The Blackwater Lightship and The Masterestudios.irlandeses2018-01-29T22:09:47+02:00
“Suspended between the Two Worlds”: Gestation Metaphors and Representations of Childbirth in Contemporary Irish Women’s Poetry estudios.irlandeses2018-01-29T22:11:55+02:00 “Suspended between the Two Worlds”: Gestation Metaphors and Representations of Childbirth in Contemporary Irish Women’s Poetryestudios.irlandeses2018-01-29T22:11:55+02:00
Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhne estudios.irlandeses2018-01-29T22:12:23+02:00 Accepting the Grotesque Body: Bildungs by Clare Boylan and Eilis Ni Dhuibhneestudios.irlandeses2018-01-29T22:12:23+02:00