Gendering Placement in Displacement: Transnational Im/mobility and the Refugee Camp in Emer Martin’s Baby Zeroestudios.irlandeses2021-03-16T17:15:09+02:00
It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisonersestudios.irlandeses2019-03-16T13:33:46+02:00
El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literaturaestudios.irlandeses2018-01-29T22:09:38+02:00
“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writersestudios.irlandeses2018-01-29T22:09:52+02:00
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bonesestudios.irlandeses2018-01-29T22:10:12+02:00
A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin’s After Easterestudios.irlandeses2022-02-17T13:39:46+02:00
“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)estudios.irlandeses2022-02-17T13:38:06+02:00
