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Gender

Trans-gendering the Irish Na(rra)tion: Neil Jordan’s Breakfast on Pluto

estudios.irlandeses2022-03-17T10:33:46+02:00
Trans-gendering the Irish Na(rra)tion: Neil Jordan’s Breakfast on Pluto estudios.irlandeses2022-03-17T10:33:46+02:00

Gendering Placement in Displacement: Transnational Im/mobility and the Refugee Camp in Emer Martin’s Baby Zero

estudios.irlandeses2021-03-16T17:15:09+02:00
Gendering Placement in Displacement: Transnational Im/mobility and the Refugee Camp in Emer Martin’s Baby Zeroestudios.irlandeses2021-03-16T17:15:09+02:00

“Writing is essentially a very, very innocent thing”: In Conversation with Marina Carr

estudios.irlandeses2019-03-21T11:18:10+02:00
“Writing is essentially a very, very innocent thing”: In Conversation with Marina Carrestudios.irlandeses2019-03-21T11:18:10+02:00

It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners

estudios.irlandeses2019-03-16T13:33:46+02:00
It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisonersestudios.irlandeses2019-03-16T13:33:46+02:00

The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Prince

estudios.irlandeses2018-10-30T10:50:33+02:00
The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Princeestudios.irlandeses2018-10-30T10:50:33+02:00

The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse

estudios.irlandeses2018-10-30T13:47:00+02:00
The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipseestudios.irlandeses2018-10-30T13:47:00+02:00

The Revolutionary Chora in Seamus Heaney’s Kite Poetry

estudios.irlandeses2018-02-01T14:22:47+02:00
The Revolutionary Chora in Seamus Heaney’s Kite Poetryestudios.irlandeses2018-02-01T14:22:47+02:00

El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literatura

estudios.irlandeses2018-01-29T22:09:38+02:00
El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literaturaestudios.irlandeses2018-01-29T22:09:38+02:00

‘With Courteous and Careful Eyes’: Eva Bourke’s Ekphrases

estudios.irlandeses2018-01-29T22:09:48+02:00
‘With Courteous and Careful Eyes’: Eva Bourke’s Ekphrasesestudios.irlandeses2018-01-29T22:09:48+02:00

“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writers

estudios.irlandeses2018-01-29T22:09:52+02:00
“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writersestudios.irlandeses2018-01-29T22:09:52+02:00

‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bones

estudios.irlandeses2018-01-29T22:10:12+02:00
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bonesestudios.irlandeses2018-01-29T22:10:12+02:00

A Feminism of Their Own?: Irish Women’s History and Contemporary Irish Women’s Writing

estudios.irlandeses2018-01-29T22:11:54+02:00
A Feminism of Their Own?: Irish Women’s History and Contemporary Irish Women’s Writingestudios.irlandeses2018-01-29T22:11:54+02:00

A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin’s After Easter

estudios.irlandeses2022-02-17T13:39:46+02:00
A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin’s After Easterestudios.irlandeses2022-02-17T13:39:46+02:00

“She had to start thinking like a man”: Women Writing Bodies in Contemporary Northern Irish Fiction

estudios.irlandeses2018-01-29T22:11:56+02:00
“She had to start thinking like a man”: Women Writing Bodies in Contemporary Northern Irish Fictionestudios.irlandeses2018-01-29T22:11:56+02:00

“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)

estudios.irlandeses2022-02-17T13:38:06+02:00
“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)estudios.irlandeses2022-02-17T13:38:06+02:00
Electronic Journal of the Spanish Association for Irish Studies (AEDEI)

Electronic Journal of the Spanish Association for Irish Studies (AEDEI)

https://doi.org/10.24162/EI

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(cc) Creative Commons 4.0 for articles published in Estudios Irlandeses. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. | ISSN: 1699-311X

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