Gender

“Writing is essentially a very, very innocent thing”: In Conversation with Marina Carr

It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners

The Modernisation of William Shakespeare’s Hamlet: Identity and Gender in Iris Murdoch’s The Black Prince

The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse

The Revolutionary Chora in Seamus Heaney’s Kite Poetry

El universo femenino en la prosa temprana de Samuel Beckett: hacia la autonomía y la mundialización de la literatura

‘With Courteous and Careful Eyes’: Eva Bourke’s Ekphrases

“Mother Ireland, get off our backs”: Gender, Republicanism and State Politics in Prison Short Stories by Northern Irish Women Writers

‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bones

A Feminism of Their Own?: Irish Women’s History and Contemporary Irish Women’s Writing

A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin’s After Easter

“She had to start thinking like a man”: Women Writing Bodies in Contemporary Northern Irish Fiction

“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)