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Irish identity

Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contexts

estudios.irlandeses2018-01-29T22:10:13+02:00
Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contextsestudios.irlandeses2018-01-29T22:10:13+02:00

“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)

estudios.irlandeses2022-02-17T13:38:06+02:00
“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)estudios.irlandeses2022-02-17T13:38:06+02:00

The Quiet Man and Angela’s Ashes: Hollywood Representations of Irish Emigration as Male Quest Narrative

estudios.irlandeses2018-01-29T22:12:17+02:00
The Quiet Man and Angela’s Ashes: Hollywood Representations of Irish Emigration as Male Quest Narrativeestudios.irlandeses2018-01-29T22:12:17+02:00

The Irish Theme in the Writings of Bill Naughton

estudios.irlandeses2018-02-01T11:52:28+02:00
The Irish Theme in the Writings of Bill Naughtonestudios.irlandeses2018-02-01T11:52:28+02:00

‘Old Ireland and Himself’: William Orpen and the Conflicts of Irish Identity

estudios.irlandeses2018-02-01T11:32:45+02:00
‘Old Ireland and Himself’: William Orpen and the Conflicts of Irish Identityestudios.irlandeses2018-02-01T11:32:45+02:00
Electronic Journal of the Spanish Association for Irish Studies (AEDEI)

Electronic Journal of the Spanish Association for Irish Studies (AEDEI)

https://doi.org/10.24162/EI

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(cc) Creative Commons 4.0 for articles published in Estudios Irlandeses. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings. | ISSN: 1699-311X

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