Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contextsestudios.irlandeses2018-01-29T22:10:13+02:00
“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)estudios.irlandeses2022-02-17T13:38:06+02:00