“A Fusillade of Question Marks”: (re)presenting the present or the poet as a chronicler in The Irish for No by Ciaran Carson
Shams and Cover-ups: The Spectacle of History in Paul Muldoon’s “Meeting the British” and “My Father and I and Billy Two Rivers”
“Without contraries there is no progression”: The Paradoxical Heterogeneity of Identity in Sinead O‘Connor‘s Poetic Expression
