“A Fusillade of Question Marks”: (re)presenting the present or the poet as a chronicler in The Irish for No by Ciaran Carsonestudios.irlandeses2018-01-29T22:11:58+02:00
Shams and Cover-ups: The Spectacle of History in Paul Muldoon’s “Meeting the British” and “My Father and I and Billy Two Rivers”estudios.irlandeses2018-02-01T12:44:23+02:00
“Without contraries there is no progression”: The Paradoxical Heterogeneity of Identity in Sinead O‘Connor‘s Poetic Expressionestudios.irlandeses2018-01-29T22:12:19+02:00
