views
Issue 2 (2007)
Articles
William Trevor’s Felicia’s Journey: Inherited Dissent or Fresh Departure from Tradition?
Constanza del Río-Álvaro
University of Zaragoza, Spain
Pages: 1-13
DOI 10.24162/EI2007-2527
views
At Swim, Two Boys: In Search of the Nation of Freedom
Aída Díaz-Bild
University of La Laguna, Spain
Pages: 14-31
DOI 10.24162/EI2007-2540
views
“Without contraries there is no progression”: The Paradoxical Heterogeneity of Identity in Sinead O‘Connor‘s Poetic Expression
Anna Dyc
University College, Sweden
Pages: 32-43
DOI 10.24162/EI2007-2555
views
Challenging History: Past Reconstruction in Colum McCann’s Songdogs
Andrzej Gabiński
Universidad Complutense de Madrid
Pages: 44-56
DOI 10.24162/EI2007-2569
views
A Contemporary Voice Revisits the Past: Seamus Heaney’s Beowulf
Silvia Geremia
Pavia University, Italy
Pages: 57-67
DOI 10.24162/EI2007-2585
views
“Her place among the nations of the earth”: Irish votes at the UN General Assembly, 1955-2005
Christophe Gillissen
University of Paris IV – Sorbonne
Pages: 68-77
DOI 10.24162/EI2007-2603
views
James Joyce’s Home Rule Comet, Elvis Costello’s Anglo-Irish Agreement
Dermot Kelly
College of the North Atlantic, Carbonear Campus
Pages: 78-84
DOI 10.24162/EI2007-2608
views
Shams and Cover-ups: The Spectacle of History in Paul Muldoon’s “Meeting the British” and “My Father and I and Billy Two Rivers”
Robert Lesman
Shippensburg University of Pennsylvania, USA
Pages: 85-92
DOI 10.24162/EI2007-2620
views
The Quiet Man and Angela’s Ashes: Hollywood Representations of Irish Emigration as Male Quest Narrative
Cornelis Martin Renes
University of Barcelona, Spain
Pages: 93-106
DOI 10.24162/EI2007-2631
views
Music, Symbol and Negativity in Eilis Ni Dhuibhne’s “The Pale Gold of Alaska”
Michal Matynia
Dalarna University College, Sweden
Pages: 107-120
DOI 10.24162/EI2007-2649
views
Between Irish National Cinema and Hollywood: Neil Jordan’s Michael Collins
Raita Merivirta-Chakrabarti
University of Turku, Finland
Pages: 121-127
DOI 10.24162/EI2007-2655
views
Women in the Twilight and Identity in the Making: The Concept of Transition in Eavan Boland’s Poetry
Marta Miquel-Baldellou
Universitat de Lleida, Spain
Pages: 128-134
DOI 10.24162/EI2007-2659
views
No More Than Human by Maura Laverty: Impressions of a Reluctant Governess in Spain
Ute Anna Mittermaier
Trinity College, Dublin
Pages: 135-150
DOI 10.24162/EI2007-2662
views
Making the Case for Irish through English: Eco-critical Politics of Language by Learners
John L. Murphy
DeVry University, Long Beach, CA, USA
Pages: 151-160
DOI 10.24162/EI2007-2669
views
‘And Somewhere the Dove Rose’: Seamus Heaney y su Fase Aérea en la Crítica Literaria
Juan Ráez-Padilla
Universidad de Jaén, Spain
Pages: 161-172
DOI 10.24162/EI2007-2673
views
Transgressing Boundaries: Belfast and the “Romance-Across-the-Divide”
Stephanie Schwerter
School of Literature and Languages, Coleraine University of Ulster
Pages: 173-182
DOI 10.24162/EI2007-2682
views
Latter-day Mother Irelands: The Role of Women in Michael Collins and The Wind that Shakes the Barley
Pilar Villar-Argáiz
University of Granada, Spain
Pages: 183-204
DOI 10.24162/EI2007-2688
views
Voice and Vision in The Poetry of Eavan Boland
Richard York
University of Ulster, Coleraine
Pages: 205-213
DOI 10.24162/EI2007-2700
views
Interviews
How the Irish Speak English: A Conversation with T. P. Dolan
Carolina P. Amador-Moreno
University College Dublin
Pages: 214 - 217
DOI 10.24162/EI2007-2709
views
A Novel is a Lengthy Question: An Interview with Frank Ronan
Valentina Milli
University of Florence, Italy
Pages: 218-225
DOI 10.24162/EI2007-2716
views
The Year in Review
Irish Studies in Spain -2006-
José Francisco Fernández-Sánchez
University of Almería, Spain
Pages: 226-233
DOI 10.24162/EI2007-2729
views
Irish Studies Round the World -2006-
David Pierce
York, England
Pages: 233-250
DOI 10.24162/EI2007-2734
views
Irish Film and Television -2006-
Tony Tracy
NUI Galway, Ireland
Pages: 251-286
DOI 10.24162/EI2007-2740
views
