Issue 18 (2023) | Contents

Articles

Revivalist: Medical Herbs and Rejuvenation in the Works of Lady Augusta Gregory

Renacentista: hierbas medicinales y rejuvenecimiento en las obras de Lady Augusta Gregory


Holly May Walker-Dunseith
University College Cork
Pages: 1-10
PDF
https://doi.org/10.24162/EI2023-11431

They «smelt of rot»: Abjection and Infection in Seamus Heaney’s Early Work

Ellos "olían a podredumbre": Abyección e Infección en Primeros trabajos de Seamus Heaney


Stephanie Alexander
Indiana State University
Pages: 11-24
PDF
https://doi.org/10.24162/EI2023-11436

Derek Mahon’s Anti-capitalist Ecologies

Las ecologías anticapitalistas de Derek Mahon


Ciarán O'Rourke
Independent Researcher
Pages: 25-36
PDF
https://doi.org/10.24162/EI2023-11467

A Multimodal Critical Discourse Analysis of a Sample of Posters Used in the 2016 and 2020 Election Campaigns in Ireland

Análisis del discurso multimodal de pósteres usados en las campañas electorales en 2016 y 2020 en Irlanda


María Martínez-Lirola
University of Alicante, Spain and University of South Africa (UNISA)
Pages: 37-53
PDF
https://doi.org/10.24162/EI2023-11447

Estrangement and the Ethics of Attention in Emma Donoghue’s The Wonder

El extrañamiento y la ética de la atención en The Wonder de Emma Donoghue


Maite Escudero-Alías
University of Zaragoza
Pages: 54-66
PDF
https://doi.org/10.24162/EI2023-11616

Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952

Nelson Paine, el teatro experimental y el guiñol en Irlanda, 1942–1952


Martin G. Molony
Dublin City University
Pages: 67-78
PDF
https://doi.org/10.24162/EI2023-11392

‘Look at it beside me’: Ekphrasis and the Illusion of Intimacy in Ciaran Carson’s Still Life (2019)

"Mira dentro de mi": La écfrasis y la ilusión de la intimidad en Still Life (2019) de Ciaran Carson


Francisca Fernández-Arce
Universidad de Chile
Pages: 79-93
PDF
https://doi.org/10.24162/EI2023-11359

Joyce, Galway and the Spanish Armada

Joyce, Galway y la Gran Armada


José Ruiz-Mas
Universidad de Granada, España
Pages: 94-102
PDF
https://doi.org/10.24162/EI2023-11386

Beef Tea, Wine Whey or Calf’s Foot Jelly? Invalid and Convalescent Cookery in Twentieth-Century Ireland

Caldo de carne, suero de vino o gelatina? Cocina para inválidos y convalecientes en la Irlanda del siglo veinte


Marzena Keating
Pedagogical University of Cracow
Pages: 103-117
PDF
https://doi.org/10.24162/EI2023-11401

“You’re like a vegetarian in leather shoes”: Cognitive Disconnect and Ecogrief in Stacey Gregg’s Override

“Eres como un vegetariano con zapatos de cuero”: Desconexión cognitiva y Ecoduelo en de Stacey Gregg


Melina Pereira Savi | Alinne Balduino P. Fernandes
Universidade Federal de Santa Catarina (Brazil) | Universidade Federal de Santa Catarina (Brazil)
Pages: 137-147
PDF
https://doi.org/10.24162/EI2023-11472

The Continuum of Irish Female Sexuality in Sally Rooney’s Conversations with Friends and Normal People: A Contradicted Ireland

El continuo de la sexualidad femenina irlandesa en y de Sally Rooney: una Irlanda contradictoria


Sofía Alférez Mendía
Universidad de Almería
Pages: 148-160
PDF
https://doi.org/10.24162/EI2023-11443

“Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome”

“No es que el hecho de que ella fuera negra tuviera algo que ver con eso, para mí”: la negrura en “The Welcome” de Emma Donoghue


Victor Augusto da Cruz Pacheco
University of São Paulo
Pages: 161-171
PDF
https://doi.org/10.24162/EI2023-11470

“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogy

“El mundo es bello todavía”: una lectura eco-filosófica de la trilogía Victims de Eugene McCabe


Christina Angela Howes
Universitat Internacional de Catalunya
Pages: 172-183
PDF
https://doi.org/10.24162/EI2023-11702

The Economy of Murder: Capital, Crime, and Crisis in Peter Murphy’s and Rachael Moriarty’s Traders (2015)

La economía del asesinato: capital, crimen y crisis en de Peter Murphy y Rachael Moriarty (2015)


Diana Ortega Martín
Universidad Complutense de Madrid
Pages: 184-196
PDF
https://doi.org/10.24162/EI2023-11459

Interview

“When writing, I see myself as a drone”. An Interview with Jan Carson

“Al escribir, me veo como un dron”. Entrevista a Jan Carson


María Amor Barros-del Río
University of Burgos, Spain
Pages: 197-202
PDF
https://doi.org/10.24162/EI2023-11371

“The World in Terms of Mirror Imaging”: An Interview with Mary O’Donnell

“El mundo en términos de imágenes especulares”: una entrevista con Mary O'Donnell


Mª Elena Jaime de Pablos
University of Almería
Pages: 203-211
PDF
https://doi.org/10.24162/EI2023-11611

Think Piece

Ulysses 1922-2022: Creative Reinventions”

Ulysses 1922-2022: reinvenciones creativas”


Anne Fogarty
University College Dublin
Pages: 212-215
PDF
https://doi.org/10.24162/EI2023-11662

Translation

The Translation into Spanish of “Scenes of Spain” in Traveller in Time (1935) by Mairin Mitchell

La traducción al español de “Scenes of Spain” en Traveller in Time (1935) de Mairin Mitchell


María Losada-Friend
University Pablo de Olavide, Spain
Pages: 216-233
PDF
https://doi.org/10.24162/EI2023-11375

The Year in Review

IRISH STUDIES IN SPAIN-2022

Los estudios irlandeses en España 2022


M. Teresa Caneda-Cabrera
University of Vigo, Spain
Pages: 234-249
PDF
https://doi.org/10.24162/EI2023-11621

IRISH STUDIES PUBLICATIONS AROUND THE WORLD -2022

Los estudios irlandeses por todo el mundo 2022


Maureen O’Connor
University College Cork, Ireland
Pages: 250-308
PDF
https://doi.org/10.24162/EI2023-11479

IRISH FILM AND MEDIA STUDIES PUBLICATIONS 2022

Las publicaciones sobre estudios de cine y medios irlandeses 2022


Ciara Chambers
University College Cork, Ireland
Pages: 309-329
PDF
https://doi.org/10.24162/EI2023-11476

IRISH FILM AND TELEVISION – 2022

Cine y Televisión Irlandeses - 2022


Roddy Flynn
School of Communications, Dublin City University, Ireland
Pages: 330-370
PDF
https://doi.org/10.24162/EI2023-11720