Issue 18 (2023) | Contents
Articles
Revivalist: Medical Herbs and Rejuvenation in the Works of Lady Augusta Gregory
Renacentista: hierbas medicinales y rejuvenecimiento en las obras de Lady Augusta Gregory
Holly May Walker-Dunseith
University College Cork
Pages: 1-10
https://doi.org/10.24162/EI2023-11431
They «smelt of rot»: Abjection and Infection in Seamus Heaney’s Early Work
Ellos "olían a podredumbre": Abyección e Infección en Primeros trabajos de Seamus Heaney
Stephanie Alexander
Indiana State University
Pages: 11-24
https://doi.org/10.24162/EI2023-11436
Derek Mahon’s Anti-capitalist Ecologies
Las ecologías anticapitalistas de Derek Mahon
Ciarán O'Rourke
Independent Researcher
Pages: 25-36
https://doi.org/10.24162/EI2023-11467
A Multimodal Critical Discourse Analysis of a Sample of Posters Used in the 2016 and 2020 Election Campaigns in Ireland
Análisis del discurso multimodal de pósteres usados en las campañas electorales en 2016 y 2020 en Irlanda
María Martínez-Lirola
University of Alicante, Spain and University of South Africa (UNISA)
Pages: 37-53
https://doi.org/10.24162/EI2023-11447
Estrangement and the Ethics of Attention in Emma Donoghue’s The Wonder
El extrañamiento y la ética de la atención en The Wonder de Emma Donoghue
Maite Escudero-Alías
University of Zaragoza
Pages: 54-66
https://doi.org/10.24162/EI2023-11616
Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
Nelson Paine, el teatro experimental y el guiñol en Irlanda, 1942–1952
Martin G. Molony
Dublin City University
Pages: 67-78
https://doi.org/10.24162/EI2023-11392
‘Look at it beside me’: Ekphrasis and the Illusion of Intimacy in Ciaran Carson’s Still Life (2019)
"Mira dentro de mi": La écfrasis y la ilusión de la intimidad en Still Life (2019) de Ciaran Carson
Francisca Fernández-Arce
Universidad de Chile
Pages: 79-93
https://doi.org/10.24162/EI2023-11359
Joyce, Galway and the Spanish Armada
Joyce, Galway y la Gran Armada
José Ruiz-Mas
Universidad de Granada, España
Pages: 94-102
https://doi.org/10.24162/EI2023-11386
Beef Tea, Wine Whey or Calf’s Foot Jelly? Invalid and Convalescent Cookery in Twentieth-Century Ireland
Caldo de carne, suero de vino o gelatina? Cocina para inválidos y convalecientes en la Irlanda del siglo veinte
Marzena Keating
Pedagogical University of Cracow
Pages: 103-117
https://doi.org/10.24162/EI2023-11401
“Not So Glamorous at All”: The Consequences of Fame and Celebrity Status in The Cranberries’ To The Faithful Departed
"No tan glamuroso en absoluto": Las consecuencias de la fama y el estatus de celebridad en de The Cranberries
Josep Baró Casanovas
Independent Researcher
Pages: 118-136
https://doi.org/10.24162/EI2023-11440
“You’re like a vegetarian in leather shoes”: Cognitive Disconnect and Ecogrief in Stacey Gregg’s Override
“Eres como un vegetariano con zapatos de cuero”: Desconexión cognitiva y Ecoduelo en de Stacey Gregg
Melina Pereira Savi | Alinne Balduino P. Fernandes
Universidade Federal de Santa Catarina (Brazil) | Universidade Federal de Santa Catarina (Brazil)
Pages: 137-147
https://doi.org/10.24162/EI2023-11472
The Continuum of Irish Female Sexuality in Sally Rooney’s Conversations with Friends and Normal People: A Contradicted Ireland
El continuo de la sexualidad femenina irlandesa en y de Sally Rooney: una Irlanda contradictoria
Sofía Alférez Mendía
Universidad de Almería
Pages: 148-160
https://doi.org/10.24162/EI2023-11443
“Not that her being black had anything to do with it, for me”: Blackness in Emma Donoghue’s “The Welcome”
“No es que el hecho de que ella fuera negra tuviera algo que ver con eso, para mí”: la negrura en “The Welcome” de Emma Donoghue
Victor Augusto da Cruz Pacheco
University of São Paulo
Pages: 161-171
https://doi.org/10.24162/EI2023-11470
“The World is still Beautiful”: An Eco-philosophical Reading of Eugene McCabe’s Victims Trilogy
“El mundo es bello todavía”: una lectura eco-filosófica de la trilogía Victims de Eugene McCabe
Christina Angela Howes
Universitat Internacional de Catalunya
Pages: 172-183
https://doi.org/10.24162/EI2023-11702
The Economy of Murder: Capital, Crime, and Crisis in Peter Murphy’s and Rachael Moriarty’s Traders (2015)
La economía del asesinato: capital, crimen y crisis en de Peter Murphy y Rachael Moriarty (2015)
Diana Ortega Martín
Universidad Complutense de Madrid
Pages: 184-196
https://doi.org/10.24162/EI2023-11459
Interview
“When writing, I see myself as a drone”. An Interview with Jan Carson
“Al escribir, me veo como un dron”. Entrevista a Jan Carson
María Amor Barros-del Río
University of Burgos, Spain
Pages: 197-202
https://doi.org/10.24162/EI2023-11371
“The World in Terms of Mirror Imaging”: An Interview with Mary O’Donnell
“El mundo en términos de imágenes especulares”: una entrevista con Mary O'Donnell
Mª Elena Jaime de Pablos
University of Almería
Pages: 203-211
https://doi.org/10.24162/EI2023-11611
Think Piece
“Ulysses 1922-2022: Creative Reinventions”
“Ulysses 1922-2022: reinvenciones creativas”
Anne Fogarty
University College Dublin
Pages: 212-215
https://doi.org/10.24162/EI2023-11662
Translation
The Translation into Spanish of “Scenes of Spain” in Traveller in Time (1935) by Mairin Mitchell
La traducción al español de “Scenes of Spain” en Traveller in Time (1935) de Mairin Mitchell
María Losada-Friend
University Pablo de Olavide, Spain
Pages: 216-233
https://doi.org/10.24162/EI2023-11375
The Year in Review
IRISH STUDIES IN SPAIN-2022
Los estudios irlandeses en España 2022
M. Teresa Caneda-Cabrera
University of Vigo, Spain
Pages: 234-249
https://doi.org/10.24162/EI2023-11621
IRISH STUDIES PUBLICATIONS AROUND THE WORLD -2022
Los estudios irlandeses por todo el mundo 2022
Maureen O’Connor
University College Cork, Ireland
Pages: 250-308
https://doi.org/10.24162/EI2023-11479
IRISH FILM AND MEDIA STUDIES PUBLICATIONS 2022
Las publicaciones sobre estudios de cine y medios irlandeses 2022
Ciara Chambers
University College Cork, Ireland
Pages: 309-329
https://doi.org/10.24162/EI2023-11476
IRISH FILM AND TELEVISION – 2022
Cine y Televisión Irlandeses - 2022
Roddy Flynn
School of Communications, Dublin City University, Ireland
Pages: 330-370
https://doi.org/10.24162/EI2023-11720