“A thrilling beauty”?: Violence, Transcendence and the Shankill Butchers in Eoin McNamee’s Resurrection Manestudios.irlandeses2018-02-01T14:00:13+02:00
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bonesestudios.irlandeses2018-01-29T22:10:12+02:00