Issue 11

Leaning “well beyond the plumb” of His Native Language: Heaney’s Tone and the International Style

Under your Keel – The Real Map of Ireland

The Weather Forecast

A “Distant Music”: Invoking Phantasmagoria in Joyce’s “The Dead”

Irish Film and Media Studies Publications – 2015

What’s in a Name? Reading the Character of Mary/Moira in Jane Urquhart’s Away

Representing the Irish in Russell Banks’s Cloudsplitter. Swift’s American Resonances?

Cumann na mBan & Women in Irish Republican Paramilitary Organisations, 1969-1986

Irish Studies in Spain: 2015-March 2016

Dante’s Legacy: Kinship between Languages in Seamus Heaney’s Poetics

Irish Film and Television – 2015

Robert J. Flaherty and Seáinín Tom Ó Dioráin: Lights, Camera, and (Not Too Much) Action

A Portrait of the Rebel as an Artist: Deconstructing Post-coloniality in Francis Stuart’s Black List, Section H

The Revolutionary Chora in Seamus Heaney’s Kite Poetry

Bram Stoker’s Proposal for the Development of a Small Nation

Converting to Things Foreknown: Heaney’s Marvelous Imagination in “Station Island”

“The Familiar Style of Decaying Colonial Powers”: Irish National Newspapers and Portugal’s Colonial Wars, 1961-1974

Interculturalism in Sam Najjair’s account of the battle for Tripoli: Soldier for a Summer

Terrys in Spain and Latin-America: Exile and Rise of an Irish Merchant Family

“Dublin Traitors” or “Gallants of Dublin” The Argentine Newspapers and the Easter Rising

A Life of Their Own: Women’s Mid-life Quest in Contemporary Irish Women’s Short Stories

Writing the Naked Body: Sex and Nudity in Nuala Ní Chonchuír’s Nude

A Map of Things Known and Lost in Anne Enright’s The Green Road

Power, Gender and the Nation: Negotiations of Belonging in Evelyn Conlon’s Short Story “Park-Going Days”

Seamus Heaney and the Belfast Group: Revising on His Own

Irish Studies Round the World – 2015