Poetry as a “Humane Enterprise”: Interview with Eavan Boland on the Occasion of the 50th Anniversary of her Literary Careerestudios.irlandeses2018-01-29T22:10:08+02:00
Comparaciones (no odiosas) entre la (Royal) Irish Constabulary y la Guardia Civil Española en los relatos de viajeros de habla inglesa por la España de los siglos XIX y XXestudios.irlandeses2018-01-29T22:10:11+02:00
Sexuality, Marriage and Women’s Life Narratives in Teresa Deevy’s: A Disciple (1931), The King of Spain’s Daughter (1935) and Katie Roche (1936)estudios.irlandeses2018-02-01T13:37:37+02:00
‘The Good Terrorist(s)’? Interrogating Gender and Violence in Ann Devlin’s ‘Naming the Names’ and Anna Burns’ No Bonesestudios.irlandeses2018-01-29T22:10:12+02:00
Brian Friel’s Short Stories and Play Revisited: Orientating “The Visitation,” “Foundry House,” and Aristocrats in their Historical and Audience Contextsestudios.irlandeses2018-01-29T22:10:13+02:00
From “Criminal Adventurer” to “the Most Important Irishman of Our Time”: the Irish Times and Eamon de Valera, 1916-1973estudios.irlandeses2018-01-29T22:10:17+02:00
“Suspended between the Two Worlds”: Gestation Metaphors and Representations of Childbirth in Contemporary Irish Women’s Poetryestudios.irlandeses2018-01-29T22:11:55+02:00
A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin’s After Easterestudios.irlandeses2018-01-29T22:11:55+02:00
Migration, Masculinity and the Fugitive State of Mind in the Irish Emigrant Footballer Autobiography: the Case of Paul McGrathestudios.irlandeses2018-01-29T22:11:56+02:00
“A Fusillade of Question Marks”: (re)presenting the present or the poet as a chronicler in The Irish for No by Ciaran Carsonestudios.irlandeses2018-01-29T22:11:58+02:00
“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)estudios.irlandeses2018-01-29T22:12:00+02:00
…the Bad and the Ugly: Good Guys after all? Representations of Martin McGuinness and Ian Paisley in the English Pressestudios.irlandeses2018-02-01T13:09:33+02:00
Language Image in National Minority Language Television Idents. TG4 (Teilifís na Gaeilge, Ireland) and Whakaata Māori (Māori Television, New Zealand)estudios.irlandeses2018-01-29T22:12:03+02:00
“They can’t wipe us out, they can’t lick us. We’ll go on forever pa, ‘cause we’re the people”: Misrepresenting Death in Jim Sheridan’s In America (2003)estudios.irlandeses2018-01-29T22:12:09+02:00
Shams and Cover-ups: The Spectacle of History in Paul Muldoon’s “Meeting the British” and “My Father and I and Billy Two Rivers”estudios.irlandeses2018-02-01T12:44:23+02:00
